The action sizzles, and the visual effects team deserves huge props for once again giving the audience a taste of what it’s like to fly through the air like only a spider can. Webb’s knack for melodrama just doesn’t feel like a good fit for this superhero story.Fortunately, The Amazing Spider-Man 2 never loses sight of its summer blockbuster status.
The senior Parker’s story is plays an important role in the larger universe, but it’s hard to justify building a long-dead character when so many of the living ones feel flimsy and one-dimensional.
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For instance, the movie opens with – and stumbles around – a flashback that isn’t at all necessary to the later payoff it informs. While this central character can’t seem to find enough screen time, Webb somehow finds room for lengthy chunks of backstory that needlessly explore what happened to Peter’s parents. Webb sells Osborn’s friendship with Peter in their too-brief handful of scenes together – again, relationships are his thing – but the human side of the future Green Goblin feels underdeveloped. Same goes for Harry Osborn’s (Dane DeHaan) arc, that concludes – as marketing so pointlessly spoiled – with his Green Goblin transformation. Electro’s baffling leap from Spider-Man admirer Max Dillon to creepy stalker to vengeance-seeking sparkplug screams for more attention. Payoffs may wait in the future, but all the forward looks don’t do the present-day story any favors.Ĭharacter development ends up being crowded out by the seeds of future movies, especially with regard to the newcomers. We already know that Sony Pictures has another sequel and a pair of spin-offs in the works, and this story feels crowded with those dangling threads. Too often, The Amazing Spider-Man 2 feels saddled with the questionable need to pad out the future of this franchise.
Or when a slow-mo close-up of Spidey’s slinging web takes on the appearance of a hand as it reaches out to save the day. Try to contain your exasperation when a delighted Peter Parker literally clicks his heels to cap off a scene. The most cringe-worthy schmaltz spills out across the film’s easy-to-spoil third act, but eyes roll all throughout the 2+ hour running time. Garfield nails Parker’s inherent awkward-yet-earnest goofiness, and Stone’s feistily confident Stacy is a perfect foil.īut Webb’s knack for melodrama just doesn’t feel like a good fit for this superhero story. Relationships are where Webb shines, and the push and pull between the two lovebirds form the emotional heart of the film. The Amazing Spider-Man 2 feels like it’s caught in a Webb.Andrew Garfield and Emma Stone return as Peter Parker and love interest Gwen Stacy, sharing chemistry that feels more electric even than Foxx’s lineman-turned-supervillain (Jamie Foxx).
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